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First Beatles song in ages! Happy to be getting back into making them! I had been struggling to think of a good song to return with, and in my opinion, this was a good start ;) The song was recorded almost completely on the 3rd January 1970, before Phill Spector added the string and brass section in April. I decided to omit Spector's string and brass arrangement, as personally I prefer the sound of the Naked version! Although, one exception I made to the "Omitting Spector's work" rule was the lengthening of the band recording. When the song was recorded in January 1970, the runtime of the song was a mere 1:35. Spector was able to almost double the length of the track by simply taking the first Chorus of the recording, and adding it between the final verse and ending. For my version, I recorded to a shortened version (1:30ish) which I created myself by removing the 2nd chorus entirely and simply pasting in the ending section. I then mixed the song to the shortened version, before copy and pasting my version of the chorus behind the 2nd verse, and syncing it with the Naked version of the recording! (Its complicated to explain, but very simple in action!) I used as accurate of gear as I could (I even closed up the f-holes on my Casino with tape just for this! - kind of...). For George's Gibson J-200, I had to resort to using my only good acoustic, which I also used for Paul's accompanying guitar part! For George's Casino guitar part, I decided to record directly into GarageBand. (I did this because it isn't verified whether George recorded this with his Twin Deluxe Reverb, or directly into the Abbey Road soundboard, so I decided to compromise by using a variation of the two - My guitar directly into GarageBand, with a similar digital amp to a Fender Deluxe Reverb amp.) I didn't use much gain -on the amp- or overdrive pedals, I instead decided to overdrive the guitar's signal using my Focusrite Scarlett 2i2, with the gain setting FAR overloaded (Not as much, however, as Revolution!!) Both of the Electric guitars were panned hard to left and right For George and Paul's acoustic guitars, I mic'd with my Shure SM57 dynamic microphone, with added high end and a small amount of low! For George's Rhythm part, I mic'd the guitar from around 6 inches away from the end of the fretboard. George's Rhythm was panned to the centre, with an occasional volume change in mixing, to prevent clipping. For Paul and George's accompanying guitars, I mic'd them closer to the guitar, around 2-3 inches from the end of the fretboard, in order to get a clearer and fuller sound. Both guitars were panned hard to left and right. I really hope that this was useful! If you enjoyed please consider subscribing so more people can enjoy the work I put into these recreations! Thank you for watching and reading! - Luca :)
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In this episode of Tone Check we demo the new American made Epiphone USA Casino hollowbody electric guitar. This classic instrument has been reborn into a truly fantastic player! Get yours from Cream City Music here: http://bit.ly/UsaCasino Shop our entire Epiphone selection: http://bit.ly/EpiAtCCM Win free music gear from our shop: https://bit.ly/NYNG21 The Casino is probably Epiphone's most iconic guitar - it's been their best-selling archtop and has become the go-to thinline hollowbody for a variety of players across the musical spectrum. This particular Epiphone Casino features dual Gibson Dogear P-90 pickups, which churn out the remarkable single-coil tone that vintage aficionados love. Furthering this classic aura is a striking Vintage Sunburst finish, cream binding, and a 3-ply white/black/white pickguard with Epiphone's "E" logo. And thanks to the guitar's 5-Ply laminated maple body, mahogany neck with a rounded "C" profile, and natural hollowbody resonance, you get stunning in-hand feel that puts fretting hand comfort first. This Epiphone USA Casino is a fantastic electric guitar from top to bottom, with an exceptional vintage vibe that players new and old will love. Specifications: Body -Body Shape: Casino -Body Material: 3-ply Maple/Poplar/Maple -Top: 3-ply Maple/Poplar/Maple -Back: 3-ply Maple/Poplar/Maple -Bracing: Quarter Sawn Spruce -Binding: Single-ply Cream Neck -Material: Solid Mahogany -Profile: Rounded C -Scale Length: 24.75" -Fingerboard Material: Indian Rosewood -Fingerboard Radius: 12" -Number Of Frets: 22 -Frets: Medium Jumbo -Nut Material: Graph Tech -Nut Width: 1.687" -Inlays: Acrylic Parallelogram Hardware -Finish: Nickel -Tuner Plating: Nickel -Bridge: ABR-1 -Tailpiece: Thinline Trapeze -Tuning Machines: Vintage Deluxe -Pickguard: White (Casino) Three-ply White/Black/White/Black pickguard with Epiphone logo -TrussRod: Adjustable -Truss Rod Cover: "Bullet" shaped; 2-layer (B/W); Vintage "E" in White -Pickup Covers: Black (Royal Tan) Nickel (Vintage Sunburst) Electronics -Neck Pickup: Gibson USA P-90 Dogear -Bridge Pickup: Gibson USA P-90 Dogear -Controls: 2 volume, 2 tone, hand-wired with Orange Drop® capacitors -Pickup Selector: 3-way toggle -Output Jack: 1/4" Miscellaneous -Strings Gauge: .010, .013, .017, .026, .036, .046 -Case: Epiphone Hard Case -Accessories: Featuring Gibson Strings SKU: ESECA00VBNH1 #creamcitymusic #tonecheck #epiphone