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This video covers everything I found when I decided to mount my GPU vertically. I still wanted to use my AE-5 soundcard - which caused a few problems. This video looks at the brackets available for vertical GPU mounting, and which one you should buy if you want to get a free PCI-E slot to use. Mounting a GPU vertically looks pretty cool... and there are lots of choices when it comes to the bracket to use, but if you want to use a second PCI-E card then the Raijintek PAXX-S is the best one to buy. You also might need to make something to help, but this video covers that too! Here is how the video is broken down: 00:00 - Intro and PAXX-S description. 03:26 - Adaptor and riser product descriptions. 07:29 - Fitting considerations and problems. 09:35 - Initial PAXX-S fitting attempt - failed! 12:39 - What you need to solve the fitting problem. 14:46 - Second fitting attempt - success! 15:40 - What to do and when best to do it. 19:44 - Specific details for the modification - just in case you really want it. There are lots of videos about how to vertically mount your graphics card, but this is the only one that properly covers the PAXX-S. It's also the only video to cover how to vertically mount your card when you also want to use another PCI-E card in your PC. Want to see what you get with the PAXX-S? Then check out this unboxing video: https://www.youtube.com/watch?v=QPtju1jLb5E Want to see what happened next? Check out the short update for video here: https://www.youtube.com/watch?v=V_AFCf2SL_Y The changes to YouTube now mean that I don't get any advertising revenue from my videos - I have the views, but I need over 1000 subscribers. I'm never going to get rich from this, but it is nice to get something... So if you've watched this video then you can buy me as coffee using the Ko-fi link, click Like or click Subscribe. Or all three! https://ko-fi.com/nicbunting
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First Beatles song in ages! Happy to be getting back into making them! I had been struggling to think of a good song to return with, and in my opinion, this was a good start ;) The song was recorded almost completely on the 3rd January 1970, before Phill Spector added the string and brass section in April. I decided to omit Spector's string and brass arrangement, as personally I prefer the sound of the Naked version! Although, one exception I made to the "Omitting Spector's work" rule was the lengthening of the band recording. When the song was recorded in January 1970, the runtime of the song was a mere 1:35. Spector was able to almost double the length of the track by simply taking the first Chorus of the recording, and adding it between the final verse and ending. For my version, I recorded to a shortened version (1:30ish) which I created myself by removing the 2nd chorus entirely and simply pasting in the ending section. I then mixed the song to the shortened version, before copy and pasting my version of the chorus behind the 2nd verse, and syncing it with the Naked version of the recording! (Its complicated to explain, but very simple in action!) I used as accurate of gear as I could (I even closed up the f-holes on my Casino with tape just for this! - kind of...). For George's Gibson J-200, I had to resort to using my only good acoustic, which I also used for Paul's accompanying guitar part! For George's Casino guitar part, I decided to record directly into GarageBand. (I did this because it isn't verified whether George recorded this with his Twin Deluxe Reverb, or directly into the Abbey Road soundboard, so I decided to compromise by using a variation of the two - My guitar directly into GarageBand, with a similar digital amp to a Fender Deluxe Reverb amp.) I didn't use much gain -on the amp- or overdrive pedals, I instead decided to overdrive the guitar's signal using my Focusrite Scarlett 2i2, with the gain setting FAR overloaded (Not as much, however, as Revolution!!) Both of the Electric guitars were panned hard to left and right For George and Paul's acoustic guitars, I mic'd with my Shure SM57 dynamic microphone, with added high end and a small amount of low! For George's Rhythm part, I mic'd the guitar from around 6 inches away from the end of the fretboard. George's Rhythm was panned to the centre, with an occasional volume change in mixing, to prevent clipping. For Paul and George's accompanying guitars, I mic'd them closer to the guitar, around 2-3 inches from the end of the fretboard, in order to get a clearer and fuller sound. Both guitars were panned hard to left and right. I really hope that this was useful! If you enjoyed please consider subscribing so more people can enjoy the work I put into these recreations! Thank you for watching and reading! - Luca :)
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